Emanuele Trevi’s writing moves seamlessly between lived experience and imagination, memory and its narrative reworking. His voice inhabits the borderlands—between autobiography and criticism, between the analysis of reality and the freedom of literary invention.
In Due vite (Neri Pozza), the line between life and narrative dissolves into a fluid, continuous movement. In La casa del mago (Ponte alle Grazie), childhood and adulthood, time and identity, engage in an intimate and searching dialogue.
Trevi is a writer for whom the boundary is a crossroads of languages, eras, and literary presences that reveal, with intensity, new layers of meaning.
INFORMATION
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