In Il tallone da killer (The Killer’s Heel, Sellerio), Alessandro Robecchi intertwines the noir genre with subtle social critique, painting a penetrating fresco of our era through a whirlwind of unexpected events, intrigues, and plot twists. The author, with a sharp gaze and biting language, offers a novel that not only explores the disillusionment of our times but also the paradox of a crime that, in a world increasingly dominated by social disparity, becomes a luxury affair. A work where noir meets black comedy, revealing the fragilities of a society suspended between its most evident and most hidden contradictions.
In conversation with Anna Mallamo, journalist and writer.
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