In Fluido. Corpi mutevoli e instabili nell’arte (Giunti), Roberta Scorranese explores the body as a shifting, porous boundary: a threshold between what appears and what is. Since antiquity, mythical figures such as Hermaphroditus, Dionysus, and Ganymede have embodied a mutable and ambiguous corporeality. Mythology, art, and literature have celebrated these ambiguities as liminal forces—symbols of an identity that is always evolving and inherently multiple. In the contemporary world, identity fragments and recomposes itself in a continuous process of reinvention. This is a reflection aimed at recognizing our own fluidity in the constant transformation of experiences, forms, essences, and stories.
In conversation with Andrea Giuseppe Cerra, La Repubblica.
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